“Spurgin’s one-woman shows as Launce drew heavily on the audience (often co-opted as temporary dog-sitters…) and on physical comedy with props, as with her demonstrative arguments with her own shoes, or her lovely set-piece leaning on her own staff.”
~ Peter Kirwan, The Bardathon Review of Two Gentlemen of Verona
“Treehouse realized its fullest potential as an ensemble that is rooted in its loving care for one another, in its processes rather than its products.”
~ Peter Kirwan, Come to the Pedlar
Katelyn Spurgin 